What are you currently reading? Red Notice by Bill Browder, The Great Believers by Rebecca Makkai.
Which book(s) do you wish you had represented? Just Mercy by Bryan Stevenson and in fiction The Immortalists by Chloe Benjamin.
Which books of your clients are publishing this year or have recently published? This fall, two extraordinary novels with twinned titles: The Winter Solider by Daniel Mason and The Winters by Lisa Gabriele and one work of non-fiction, Dan Lyons’ book on corporate culture called Lab Rats.
What’s important/interesting for potential clients to know about you and what you’re looking for? For non-fiction, I am really interested in books that use narrative to teach and explore worlds and ideas, without being didactic, whether that’s through journalism, memoir or research. For fiction, strong voices and compelling stories. I want to feel from page one that the writer is in charge and that I’m moving through the book with some emotional urgency.
What are you NOT looking for? I’m not looking for genre fiction, children’s books, illness specific memoirs (unless it’s really literary), books that serve a niche audience (in any category), travel essays.
What are you currently reading? The Spy and the Traitor by Ben Macintyre; Fleishman is in Trouble by Taffy Brodesser-Akner.
Which book(s) do you wish you had represented? Normal People by Sally Rooney; Transcription by Kate Atkinson; Pachinko by Min Jin Lee; Blue Blood by Ed Conlon; The Lady in the Lake by Raymond Chandler.
Which books of your clients are publishing this year or have recently published? A Woman Of No Importance by Sonia Purnell; The Hiding Game by Louise Phillips; The Liar by Ayelet Gundar-Goshen; Duncan Hamilton’s The Great Romantic; The Cartiers by Francesca Brickell; The Water Cure by Sophie Mackintosh; Infinite Detail by Tim Maughan; Becoming Belle by Nuala O’Connor; Cross Her Heart by Sarah Pinborough.
What’s important/interesting for potential clients to know about you and what you’re looking for? Gorgeous writing combined with propulsive storytelling. My guiding principle is a book that can “stimulate the mind and satisfy the heart” and this illuminates every read, regardless of categorization.
I’m interested in narrative nonfiction that just might involve spies & espionage, or that spotlights a slice of social history I’ve not encountered yet. I’m increasingly curious about smart non-fiction that makes me question my thinking and teaches me something new about human behavior and the world we live in.
I have a dark, soft spot in my heart for literary crime and thrillers.
I’m looking for new American and International voices, and for literary fiction that’s modern and swoon-worthy on a line level but with an equally enveloping plot. I love dysfunctional families (aren’t they all?). I am inevitably passionate about Irish Writing, of course, and always keen to read lots more. I love a singular, spectacularly written literary memoir just as much as I love a transporting piece of historical fiction.
What are you NOT looking for? Children’s books, traditional Sci-Fi, Travel Memoir or Romance.
What are you currently reading? Educated by Tara Westover, Black Friday by Nana Kwame Adjei-Brenyah.
Which book(s) do you wish you had represented? All of Curtis Sittenfeld's books, The Goldfinch by Donna Tartt, Born to Run by Christopher McDougall.
Which books of your clients are publishing this year or have recently published? Robin Benway’s National Book Award winner Far From the Tree; Are You Sleeping by Kathleen Barber (soon to be a tv series!); and The Caregiver by Samuel Park.
What’s important/interesting for potential clients to know about you and what you’re looking for? My list is split fairly evenly between fiction and non-fiction. I work with a wide range of authors, from debut novelists to seasoned bestsellers. In fiction, I’m looking for literary, upmarket, historical, literary suspense, and YA. I grew up in Michigan and went to the University of Michigan, so I have a soft spot for Midwestern settings (and a strong sense of place in general). I can fall in love with the writing and voice (especially unique and diverse voices) but also appreciate page-turning momentum. For non-fiction, I look for narrative, science, food, lifestyle/health, and more. I work closely with my authors before submission to make sure we’re sending out the best possible book, and every step of the way after that. I love matchmaking my authors with the right editor, with the goal of establishing long careers.
What are you NOT looking for?
Sci-fi, fantasy, horror, romance, picture books.
What are you currently reading? Permanent Record by Mary H.K. Choi, Little by Edward Carey, Never Home Alone by Rob Dunn.
Which books do you wish you had represented? The Spirit Catches You and You Fall Down by Ann Fadiman, Predictably Irrational by Dan Ariely, The Emperor of All Maladies by Siddhartha Mukherjee.
Which books of your clients are publishing soon or have recently published? Make Time by Jake Knapp & John Zeratsky; Secrets We Kept by Krystal Sital; The Far Away Brothers by Lauren Markham.
What’s important/interesting for potential clients to know about you and what you’re looking for? I grew up in Newton, Massachusetts and the San Francisco Bay Area and hold a B.A. in History from Stanford University. I joined Fletcher & Company in 2012. After working in New York for several years, I relocated back to San Francisco, where I am based today.
I’m looking for strong writing and powerful stories in literary fiction and a wide range of non-fiction topics, including business, science, memoir and history.
What are you not looking for? Children's books, sci-fi/fantasy.
What are you currently reading? How to Do Nothing by Jenny Odell
What’s important/interesting for potential clients to know about you and what you’re looking for? I’m drawn to voices with a new story to tell, especially writers from different parts of the world, Americans whose stories are underrepresented in traditional publishing, and works in translation. A sense of urgency is crucial for me, and writers who engage critically with questions of identity and our collective future (political and economic systems, technology, the climate) are nearest to my heart. In fiction, I look for novels with a contemporary voice that balance the complexities of culture and politics with storytelling that delves deep into the inner worlds of its characters in a way that challenges expectations and deepens the emotional stakes of the story (a la Zadie Smith, Sheila Heti, Sally Rooney). Autofiction, speculative fiction, and experimental forms are always of interest to me. On the nonfiction side, I’m interested in compelling critical takes on cultural and sociological trends and investigative and issue-focused narrative nonfiction, as well as memoir that makes the personal political and vice versa (Eula Biss, Maggie Nelson).
What are you NOT looking for? Genre fantasy, sci-fi, and romance; commercial women’s and historical fiction; commercial crime/thriller; self-help; YA/children’s books.
What were you doing before you joined Fletcher & Company? I studied Spanish language and literature (as well as sociology and education) at Occidental College and then moved to Colombia to teach English and travel. After returning to the States I spent some time as a translator and worked at on the International Political Science list at an academic publisher before making the move to the agency side of the business.
What are you currently reading? The Wright Brothers by David McCullough.
Which book(s) do you wish you had represented? Den of Thieves by James B. Stewart, Cleopatra by Stacy Schiff.
Which books of your clients are publishing this year or have recently published? Bad Blood by John Carreyrou, The Escape Artists by Neal Bascomb, The Club by Joshua Robinson and Jonathan Clegg.
What’s important/interesting for potential clients to know about you and what you’re looking for? For history, I love working with authors to craft the arcs of narrative and to bring to life the characters who shaped them; for the sciences & culture, to bend big abstractions & ideas into engaging, smart, and fun books that illuminate the everyday; for memoir & intensive journalism, to help reveal the intricacies of life in extreme contexts; and to find within all of our work the arguments that are ultimately being made about the layers and truths of our collective little existence.
What are you NOT looking for? I focus exclusively on nonfiction (though am personally a fan of military, historical, and techno/Crichton-esque thrillers, and have always hoped to find the right project in those spaces). No children’s books – happy just to read them every night!
What are you currently reading? Almost Everything by Anne Lamott, My Sister, the Serial Killer by Oyinkan Braithwaite.
Which book(s) do you wish you had represented? The Coddling of the American Mind by Gregg Lukianoff & Jonathan Haidt, 21 Lessons for the 21st Century by Yuval Noah Harari.
Which books of your clients are publishing this year or have recently published? Let the People See by Elliot Gorn, 1619 by James Horn, The Source by Martin Doyle.
What’s important/interesting for potential clients to know about you and what you’re looking for? I have a wide range of interests when it comes to non-fiction: from popular philosophy, science and psychology, to serious history, soft business, self-help and quirky gift books. I’m continually growing more interested in health, fitness and wellness and would like to work with more authors in this area. I work with many academics and historians and am open to projects in which the author is branching out from an academic audience to reach a broader trade market.
For fiction, I’m drawn to stories with a dark, suspenseful, philosophical or mysterious bent. They tend to be literary thrillers, mysteries or crime fiction (but not always) and could be literary or commercial, adult or YA. I’m intrigued by supernatural or fantastical elements (not high fantasy) woven into great writing, like the sensibility of Kelly Link, Karen Russell or Jonathan Howard.
What are you NOT looking for? Cookbooks, children’s books, genre fiction (unless it aligns with the above). I don’t personally read a lot of memoirs, so a memoir would have to be incredibly special in some way for me to take it on.
What are you currently reading? Normal People by Sally Rooney, Transcription by Kate Atkinson, Just Mercy by Bryan Stevenson
Which book(s) do you wish you had represented?
Americanah by Chimamanda Ngozi Adichie, Random Family by Adrian Nicole LeBlanc, The Signature of All Things By Elizabeth Gilbert
Which books of your clients are publishing this year or have recently published? The Line Becomes A River by Fransisco Cantú, What We Were Promised by Lucy Tan, Annelies by David Gillham
What’s important/interesting for potential clients to know about you and what you’re looking for? When it comes to fiction, I truly run on emotion and instinct. I always know when a manuscript is a good fit when I start having imaginary editorial discussions with the author in my mind before I even speak with them on the phone. With non-fiction projects, I’m looking for a similar level of passion and connection to the material but also to the subject matter–I like to work with people who are particularly insightful and who write really well about things that I care deeply about (or who write so well that they make me care deeply about things I didn’t think I cared about before). I particularly look for books that take me into unfamiliar worlds, or force me to look at the world differently.
I hold a BA from Barnard College and a JD from George Washington University Law Center. Before law school, I briefly (but memorably) worked as a production assistant on MTV’s The State. I'm originally from Montreal, Canada and am the proud mother of two “spirited” little girls.
What are you NOT looking for? Children’s books, genre science fiction, romance, Cookbooks.
What are you currently reading? Fleishman Is in Trouble by Taffy Brodesser-Akner.
What’s important/interesting for potential clients to know about you and what you’re looking for? I grew up in Southern California and graduated from Vassar College with a BA in English and a minor in Art History. Before joining Fletcher & Company, I worked with The Wylie Agency and The Emma Sweeney Agency.
In fiction, I’m always looking for a distinct narrative voice and fresh prose. I’m particularly drawn to stories that explore the complicated inner-workings of relationships, whether between family members, friends, or romantic partners. I’d love to find something in the vein of Sally Rooney’s Normal People, Shelia Heti’s Motherhood, Jenny Offill’s Dept. of Speculation, or Elif Batuman’s The Idiot. I’m also sucker for a dark, off-beat comedy like Patrick deWitt’s French Exit or Ottessa Moshfegh’s My Year of Rest and Relaxation.
On the nonfiction side, I’m interested in voice-driven and literary memoir (like Rachel Cusk, Deborah Levy, or Heidi Julavits), narrative reportage, cultural history and criticism, and history with a surprising point of view. I’m always keen to read work that explores pop culture in a serious, critical way.
What are you NOT looking for? Genre fiction, YA, spiritual or religious books.
What are you currently reading? Quiet by Susan Cain, Am I There Yet? by Mari Andrew.
What’s important/interesting for potential clients to know about you and what you’re looking for? I seek out books that teach me something about a place, era, person, phenomenon, or relationship and that reveal truths about who we are as humans, how we interact with the world around us, and how we can improve. In nonfiction, these qualities appeal to me in books about food, travel, health & wellness, popular science/psychology, and Big Ideas. I also have a particular weakness for cookbooks. In fiction, I appreciate deeply researched historical settings—or invented places that are so vividly depicted that they could be real—and characters who linger in my mind long after I’ve finished reading.
What are you NOT looking for? Crime, sci-fi, children’s books.
What were you doing before you joined Fletcher & Company? Since graduating from Brown University with a B.A. in Middle East Studies, I’ve worked in a broad range of fields, including international development, farming, food photography, health & wellness media, and immigration law. I grew up in Western Massachusetts and lived in Tunisia before moving to New York City.
What are you currently reading? Asymmetry by Lisa Halliday
What’s important/interesting for potential clients to know about you and what you’re looking for? I love getting lost in a narrative that has strong observational insights and vivid sense of character and setting. I especially appreciate a voice that can bring humor and satire to overarching social and cultural ideas and issues. For fiction, I love stories from a diverse range of settings and characters as long as I feel a sense of connection and investment in our narrative. For non-fiction, I am interested in the subjects of psychology, sociology, the natural world, health, and fitness.
What are you NOT looking for? Fantasy, travel, business, political non-fiction.
What were you doing before you joined Fletcher & Company? I grew up in California and Massachusetts and graduated from Middlebury College with a BA in English and a minor in French. Before joining Fletcher & Company I worked at United Talent Agency and The New England Review.
Eve MacSweeney began agenting in Fall 2018 after working as a writer and editor in her native London and in New York, most recently as Features Director of Vogue, where she worked for 17 years. There she assigned writers including Elizabeth Rubin, Edmund White, Lena Dunham, Hilton Als, Maureen Dowd, and Rachel Kushner, and edited several books, among them Grace: A Memoir by Grace Coddington, and Nostalgia in Vogue, featuring essays by James Salter, Kennedy Fraser, Patti Smith, Joan Didion, and Lydia Davis.
Bringing her editorial experience and close working relationships with writers to the field, Eve is developing narrative non-fiction and literary fiction titles that speak to her interest in emotionally driven stories, singular voices, and compelling social issues, particularly as they concern the lives of women.